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Spontaneous, irreverent, personal. Collage fits more perfectly into our current age than almost any other artistic technique. The technique of collage fits perfectly into our current age. Raw visual material is collected by an artist and then combined in such a way as to abstract the individual elements enough that the artist's own vision becomes prominent. Because collage's references range from other artistic works and techniques to scientific images, pop culture, and erotica, these raw materials reflect humanity's collective visual memory and context. It's collage's broad scope--and irreverence--that make this technique so interesting for both artist and audience. So it comes as no surprise that a lively scene has developed around contemporary collage in the last few years. Our book cutting edges was the first to document work by this scene, which has continued to expand the possibilities of the genre. Beyond the lowbrow movement, which brings a fresh perspective to figurative surrealism, more and more established artists are now embracing this medium. Their work bridges the historical gap between the classic pioneers of the technique from the 1920s and today's vanguard of contemporary collage. Showcasing outstanding current artwork and artists, The Age of collage is a striking documentation of this new appetite for destructive construction. The book also takes an insightful behind-the-scenes look at those working with this interdisciplinary and cross-media approach. While illustration, painting, and photography continue to fundamentally influence collage, the featured work also plays with elements of abstraction, constructivism, surrealism, and dada. Collage gives artists more room to stake out diverse artistic positions than almost any other existing technique. Through confident cuts, brushstrokes, mouse clicks, or pasting, collage gives the impossible a tangible form--while turning our worldview on its head along the way. In their visual confrontation with reality in our digital age, which has already made geographic, temporal, and artistic boundaries obsolete, these artists celebrate and exaggerate simultaneousness.
- Sales Rank: #200937 in Books
- Brand: Busch, Dennis (EDT)/ Hellige, Hendrik (EDT)/ Klanten, Robert (EDT)
- Published on: 2013-08-15
- Released on: 2013-08-15
- Original language: English
- Number of items: 1
- Dimensions: 12.00" h x 1.30" w x 9.80" l, .0 pounds
- Binding: Hardcover
- 272 pages
From the Inside Flap
Spontaneous, irreverent, personal. Collage fits more perfectly into our current age than almost any other artistic technique.
Most helpful customer reviews
22 of 28 people found the following review helpful.
Blatant Adver-Book
By Jim C.
This book acts as if (by the title) it is a historical reference of some type. It is not. It is simply a compilation of rather boring artists that share a similar vision of what collage is....but it is a vast misrepresentation. Don't be fooled. It is printed poorly, with some kind of ideas of design that make it appear like an old 60's magazine. This is neither contemporary collage, nor modern art. It presents artists that are highly limited in their scope and ingenuity...this type of work should be from the 1920s, not the 2010's. These are unknown artists being promoted by their galleries as something more than they are... albeit, there is nothing wrong with promoting artists. It took me less time to read it than a recent copy of Art in America. The layout is bad, the color printing is bad...although it is a little entertaining while trying to assert some type of overdone design concept. These artists are derivative and nearly unknown in the world today (with a couple exceptions). You can see this in the references of where the art lives at the moment...in the galleries that are trying to make these artists appear important..no actual museum, or other historically important collections. There are better books about collage both Modern and Contemporary printed in 1980. When I buy a book, I'd like to learn a thing or two...this book doesn't even accomplish that with the artists it is portraying. It is more like Community Art League nonsense. I fear I've wasted my money this time and hope that the artists in this book do in fact some day attain their dreams of becoming great collage creators. Like I said, there are a couple artists in here that are of some interest perhaps, but the bad layout and editing and for that matter writing overwhelm any good qualities these artists may have. If you want to learn about collage, it's history, it's meaning...this is NOT the book. It is just a bad compilation of mediocre hacks.
6 of 8 people found the following review helpful.
Great book, however some major artists not included.
By Craig Thomas
Whilst the content and artists represented are good it seems to have overlooked some major contemporary artists working with collage that have been excluded, which I was a little surprised by. Eg: Mathew Hale, Andro WeKua, Amanda Ho, Ellen Gallagher, et
5 of 7 people found the following review helpful.
YUL
By rachelsliva
visually very interesting book, coming from someone who is just beginning to get into collage. very contemporary...most of the work is no older than 2011 or 2012.
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