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Daughter: a novel, by Janice Lee
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[BLACK AND WHITE EDITION] “Janice Lee is a genius.” – Eileen Myles, author of Inferno (a poet’s novel) ART: Original Holga photographs by Rochelle Ritchie Spencer SOUND: original music by Resident Anti-Hero “Daughter is quantum. There is a girl, there is an octopus, there is language -- in minimal bursts of physical intensities, their magnitude measured in intimate discretes. Janice Lee's prose is energy transfer of the elementary particles of the matter of language. There is a girl, there is an octopus, there is language, understood at the infinitesimal level. No other book ever written has entered my body and being so physically pure. There is not distance between the state of narrative and the matter of being. I turn the page of her body.” – Lidia Yuknavitch, author of The Chronology of Water and Reel to Reel “Daughter, the new volume by Janice Lee, seems to rise as intuitive quantum ascent. It is praxis of the marred, of the seemingly uneven. Janice Lee understands that writing cannot exist as narrative outcome. In Daughter there is reckoning with the cosmos as phantom, as something that does and does not exist. Energies appear by means of paradox and evaporation.” – poet Will Alexander, author of The Sri Lankan Loxodrome "In Daughter, Janice Lee floods the body of a book with the body of a body, all its hybrid, constantly damaging and mending cells. From field to field among the pages we are subject to a brain-damaged, collide-o-scopic file of some internet-age Acker'd Frankenstein having lived to see god die; and yet still must go on walking in the deity's corpse... The result is a meticulous and terrifying resurrection, a glitchy screamtext passed in dire silence to the reader the way blood passes from mother into child. – Blake Butler, author of There is No Year "Lee's surgical cadences and sharp fragments work here as writing will work-to force attention to detail. Which is the unnatural order of things. – Vanessa Place, author of La Medusa and Dies: A Sentence
- Sales Rank: #1760655 in Books
- Brand: Brand: Jaded Ibis Press
- Published on: 2012-07-04
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .33" w x 6.00" l, .45 pounds
- Binding: Paperback
- 132 pages
Features
- Used Book in Good Condition
About the Author
Janice Lee is a writer, artist, editor, designer, curator, and scholar. Interested especially in the relationships between metaphors of consciousness, theoretical neuroscience, and experimental narrative, her creative work draws upon a wide variety of sources. Her obsessive research patterns lead her to making connections between the realms of technology, consciousness studies, design theory, the paranormal & occult, biological anthropology, psychology, and literary theory. Her work can be found in antennae, sidebrow, Action, Yes, Joyland, Luvina, Everyday Genius, elimae, Black Warrior Review, Peacock Online Review, and elsewhere. [See WRITING] She is the author of two highly acclaimed novels: KEROTAKIS (Dog Horn Press, 2010), a multidisciplinary exploration of cyborgs, brains, and the stakes of consciousness; and Daughter (Jaded Ibis, May 2011). She also has several chapbooks Red Trees, Fried Chicken Dinner (Parrot/Insert Press, Forthcoming), and Other Worlds (Eohippus Labs, Forthcoming). She is currently at work on a collaboration about conspiracy theories, time travel, and the Catholic church, and a novel about the technological singularity, the Christian rapture, and the consciousness of God. She has presented scholarly papers on topics such as consciousness studies, psychology, theoretical neuroscience, and experimental narrative at various conferences internationally. She holds a BA in Literature/Writing (with minors in Biological Anthropology & Film Studies) from UCSD and an MFA in Creative Writing from CalArts and currently lives in Los Angeles where she is Co-Editor of the online journal [out of nothing], Co-Founder of the interdisciplinary arts organization Strophe (which houses the curated series Novum), Reviews Editor at HTMLGIANT, and Founder/CEO of POTG Design. Most recently, she was selected by John D’Agata as Black Warrior Review‘s Nonfiction Grand Prize Winner and she currently teaches Graphic Texts & Interface Culture at CalArts.
Most helpful customer reviews
0 of 0 people found the following review helpful.
140 pages about a single moment.
By Brandon Jubb
Very confusing at first, Daughter explores neurological and existential philosophies and attempting to bring them into a somewhat physical existence. A girl finds an octopus in the desert. Two gods converse, maybe both comprising the Christian God, maybe one is the devil, maybe they have nothing to do with what comes to mind when we think of God. We know that they both create and they both destroy, but those are two very vague things. The octopus is potentially god. I believe the desert represents an environment devoid of necessities and the girl represents a conscious mind that has suffered trauma and took to the desert to seek solitude and purpose. Stumbling upon the unconscious mind: the octopus, and trying to find comfort somewhere in the between. Lines between physical and emotional are nonexistent, there's no clear plot movement in a physical sense but that's not to imply there's nothing happening. The books is very short and very full, making you question existence perpetually and in different manners at every page.
0 of 0 people found the following review helpful.
Interesting
By Jarrod Bouchie
The book was interesting and had some really cool moments, but it seemed gratuitously abstract and unclear. There is a section of the novel devoted to unreadable text even. Overall, I'm not mad that I bought it, but it's not my favorite.
0 of 0 people found the following review helpful.
Cerebral Philosophies with Octopus
By Tantra Bensko
Jaded Ibis Press has again brought us a new way of thinking about the world. In the case of Daughter, thinking about the world is the same thing as - the world. And it's just as mysterious, full of blank spaces, meanings given and taken away, and swirled together anyway until the meaning of meaning grows multiple arms. A woman finds a dead octopus, which may be a god, perhaps the unconscious mind, in the desert, and is compelled to investigate.
In this book, "splayed" is a color; "competence" is interchangeable with "space." Legend and dream are one, and also, they are the reality of this book's events.
Two god-entwined serpentine brothers talk with each other when the dreams of seekers make them exist, at night, which, as we all know, is the time for parties. They create, and uncreate, just as the narrator does. She claims the right to change her mind, and that she does, the fabric of each moment almost arbitrarily shifting, impossible to pin down for long. "I want a glass case, too. To display my world in. Lend me some money." Says one of the bros to the other one.
Divisions are sifted through, the glass between them shattered into mosaics washed away by the tide. Monster/god/self/mirror/surviving/murder. The very forgetting of the mother, and the mother's forgetting of the daughter, in itself feel monstrous, as do many things in this book, because they trigger some of the deepest existential feelings.
Calling this non-narrative a novel gives a new definition to linear progression, to the story of life, which is also the story of death. This book, conceptual while remaining poignant, breaks new ground for writers to plant a new kind of writing in the future, more honest without the artifice of convention. The subject matter is consciousness itself, so encountering this book is encountering pure being perhaps more than any fiction I've yet read.
"I drift from one self into another, clasping tenticular detail, mouth held into night, a liquid hand drifting. The carcass trembles and floats, qualis spectator pereo. A fusing, a brownish tint, and the shadow is fishing for octopus. Blanched and without intention, the body is quiet, our bodies are quiet, becoming the desert and encircled by the hugging hands, points with fervor, swallowing the breaths of the sea."
Holga photos by Rochelle Ritchie Spencer work well, and are printed at high quality which does them justice. They dream on the page, and continually shock with the contents of a glass jar. Nature gains a new life, and otherwise, what has been captured out of nature without means of escape, including humanity, is held in a kind of strange stillness pulsating against the edges of its caged anonymity.
Jaded Ibis's creativity with the fine art limited editions continues to astound me. Oooooooo. This one is:
"An autopsy kit containing handcrafted surgical tools and various medical artifacts, including casts of octopi body parts in apothecary bottles. The kit is an aged wooden box with a secret compartment containing the novel printed on transparent "skin" and laid upon a bed of sand. Contains flash drive with soundtrack, Monster," by Resident Anti-Hero." Is it just me, or is this kind of - orgasmic - to imagine?
Janice's previous book exploring the nature of consciousness (and Frankenstein), Kerotakis, came out in 2010 from the excellent, and WILD Dog Horn Publishing.
I highly recommend Janice Lee's books to anyone who wants to ride the wave of literature peaking with her dissection of the nature of reality, using your mind as the delighted tool.
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