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The Third Policeman, by Flann O'Brien
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The Third Policeman is Flann O'Brien's brilliantly dark comic novel about the nature of time, death, and existence. Told by a narrator who has committed a botched robbery and brutal murder, the novel follows him and his adventures in a two-dimensional police station where, through the theories of the scientist/philosopher de Selby, he is introduced to "Atomic Theory" and its relation to bicycles, the existence of eternity (which turns out to be just down the road), and de Selby's view that the earth is not round but "sausage-shaped." With the help of his newly found soul named "Joe, " he grapples with the riddles and contradictions that three eccentric policeman present to him.
The last of O’Brien’s novels to be published, The Third Policeman joins O’Brien’s other fiction (At Swim-Two-Birds, The Poor Mouth, The Hard Life, The Best of Myles, and The Dalkey Archive) to ensure his place, along with James Joyce and Samuel Beckett, as one of Ireland’s great comic geniuses.
- Sales Rank: #90593 in Books
- Published on: 2002-03-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .61" w x 5.51" l, .62 pounds
- Binding: Paperback
- 200 pages
Amazon.com Review
A comic trip through hell in Ireland, as told by a murderer, The Third Policeman is another inspired bit of confusing and comic lunacy from the warped imagination and lovably demented pen of Flann O'Brien, author of At Swim-Two-Birds. There's even a small chance you'll figure out what's going on if you read the publisher's note that appears on the last page.
From Publishers Weekly
Starred Review. If ever a book was brought to life by a reading, it is this presentation of O'Brien's posthumously published classic. Norton individually crafts voices and personalities for each character in such a way that a listener might imagine an entire cast of voice talent working overtime. This is a comic/surreal tale of a one-legged gentleman farmer who participates in a poorly planned botched robbery-turned-murder, only to find himself having a long conversation with the dead man shortly after the deed. In addition he hears from his own soul, who he names Joe. Joe's voice is that of a wry observer with a voice of calm, removed authority, whereas dead man Mathers' voice is completely nasal, at once sickly and droll. Mathers sends the farmer to a two-dimensional barracks of three metaphysical policemen. Here he finds himself in a world where people can become bicycles and eternity is within walking distance. Norton's rendition of the main policeman, Sergeant Pluck, tips the reading into a full-out performance. The enormous blustery fellow with red cheeks and brushy mustache and eyebrows is portrayed like a jolly yet dangerous Disney walrus. Norton's Irish brogue, accentuated to different degrees with the various characters, ties the ribbon on a perfect presentation of this absurd and chilling masterpiece. (Apr.)
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Review
"As with Scott Fitzgerald, there is a brilliant ease in his prose, a poignant grace glimmering off every page." --John Updike
"A most sardonic novel about life after death with the dead man telling the comic and terrifying story . . . a strange, original comic genius." --New York Times
"Nothing less than dazzling . . . maddening and dizzying . . . heady and exhilarating . . . it is literally funny as hell." --Time
Most helpful customer reviews
1 of 1 people found the following review helpful.
O'Brien is just WEIRD!!! and that's a good thing.
By Colton C. Sorrels
Flann O'Brien isn't for everyone. There are quite a few one star ratings (and I'm sure those people would have rather given it a zero if they could), but I think that's a good thing. Here's why. O'Brien is just weird, bizarre, and perhaps the most "out there" writer I have ever read. Your classic drug trip books like "Fear and Loathing in Las Vegas" and "On the Road" have nothing on this guy. If you aren't paying attention to every little detail in the writing then you just aren't going to get it. With that being said, some people are just too dense to get his prose. This is a novelist I want people to hate, because honestly he's my guy...I don't want you to get it.
"The Third Policeman" didn't immerse the reader into O'Brien's unique and bizarre writing style immediately. In fact that was one of the the things about this novel that I found interesting. I thought I was reading gothic literature like Hawthorne, or Brockden Brown at first. It wasn't until the first twenty pages that O'Brien introduces you to the bizarre world in which you will inhabit for the remainder of the novel. There are certain aspects of this novel that I didn't enjoy as much as his first novel, "At Swim Two Birds," but I thought this novel didn't have as many nonsensical moments that dragged on for too long. All in all, this is a great read. This was his second novel, which became his last since it wasn't published until after his death, and it is only the second novel of his I have read. I can't wait to read the rest of them!
1 of 1 people found the following review helpful.
Is it about a bicycle?
By Ron Ginzler
Yes, and how people turn into bicycles and vice-versa. It's impossible to categorize this wonderful novel. It combines elements of fantasy, magic realism, horror, humor, satire, and it could only have been written by an Irishman. Finished in 1940 but not published until 1967, a year after the author's death, the main text concerns the adventures of a man who commits a robbery and murder in rural Ireland, but following this, bizarre and impossible things occur when he is captured by two peculiar policemen and imprisoned in a peculiar police station. A series of long footnotes parallel the text, detailing the protagonist's obsession with the absurd physicist De Selby and his crackpot ideas. (This device is copied by Robert Anton Wilson in his Historical Illuminatus Chronicles, and possibly by Nabokov in Pale Fire, though it seems unlikely Nabokov had read the manuscript of the then-unpublished Third Policeman.) Another device, of separating the protagonist into two separate characters who then converse with each other, may have been copied by Phillip K. Dick in his equally strange novel Valis.
The only other writer I know who measures up to this standard of originality, humor and strangeness, is the late, great, R. A. Lafferty. Read this book. Then read it again.
3 of 3 people found the following review helpful.
Fall Off Your Chair Hilarious Satire
By David Fortnight
Oh come on--don't tell me you've never read Flann O'Brien? Inimitable pen name of Brian O'Nolan (go figure), the inimitable humorist for the Dublin newspaper and novelist who wrote both in Gaelic and English? You've never heard of Dalkey Archive Press in Illinois--which is named for another one of O'Brien's unique novels (The Dalkey Archive, that is)? And then again, have you read Ulysses, where before or after the library scene (representing the passage by Charybdis and Scylla, I believe)Stephen Daedalus is crossing the square in downtown Dublin and notes that he sees the newspaperman in seedy suit or some such, who is in fact Brian O'Nolan, a contemporary of Joyce's? Well...I highly recommend that you start with THE THIRD POLICEMAN, which in spite of being a translation from the original in Gaelic has to be one of the funniest books ever written in any language. I can't begin to describe it because it is in a genre of its own, something like Gothic-Fantasy-Satirical-Irish Black Humor-Twainian-Humbuggerist-Social Commentary. Some years ago when I was working on some short book reviews for a bookstore newsletter (and that is another long story better left out here), I discovered that my colleague at the time, Doug, had never read THE THIRD POLICEMAN. I immediately secured a copy and vowed that we needed to review the Dalkey Archives Press reprint of the novel IMMEDIATELY! And so the intrepid Doug picked it up and started reading the first chapter while I was typing some other rubbish on a computer. In (approximately) 10 minutes time, he started laughing, and he continued laughing until he was laughing so hard that he fell off the wooden chair he was sitting on and literally rolled on the floor. Now, you may consider this story apocryphal or even inconsequential. But I just wish to declare here, publicly, that that is the only time I have ever seen anyone fulfill that crusty cliche--that I laughed so hard I fell off my chair. Doug could have injured himself, and in fact, he ended up gasping for air and nearly asphyxiating himself over Flann O'Brien. So that's all I'm going to say about this here, except to add that every reader aged 12 years or older (and the occasional brilliant toddler, too) must read Flann O'Brien to expand his or her mental boundaries and contribute to their elasticity. But caveat emptor--don't sit on a bar stool or any seat that is too slippery when you read him. And above all, don't read him near any steep drop offs like a ravine or riverbank, much less while climbing the Matterhorn or Mt. Whitney with spikes and pulleys and all that gear, or visiting the Grand Canyon.
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