Jumat, 24 Juni 2011

[D309.Ebook] Free PDF Food Photography: From Snapshots to Great Shots (2nd Edition), by Nicole S. Young

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Food Photography: From Snapshots to Great Shots (2nd Edition), by Nicole S. Young

Food Photography: From Snapshots to Great Shots (2nd Edition), by Nicole S. Young



Food Photography: From Snapshots to Great Shots (2nd Edition), by Nicole S. Young

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Food Photography: From Snapshots to Great Shots (2nd Edition), by Nicole S. Young

Do you need help making your food look as delicious as it tastes? Are you a “foodie” hungry for more tantalizing photos of your culinary creations? Do you have a food blog that you’d like to take to the next level, with better images and a stronger business strategy? Then this book is for you!

In Food Photography: From Snapshots to Great Shots, Second Edition, photographer Nicole Young returns to dish up the basics on everything you need to know to make great food images, from getting the right camera equipment to mastering the key photographic principles of aperture, ISO, and shutter speed. She offers tips on styling food using props, fabrics, and tabletops; and she explains how to improve your photos through editing after the shoot.

This new edition features many brand-new images and examples, accompanied by up-to-date discussions on achieving good lighting and composition. In addition Nicole covers developments in the industry that have emerged since the publication of the first edition, such as the entry of mirrorless cameras on the scene, and more. She also provides a brand new post-processing section focusing on Photoshop Lightroom, showing how to improve your photos through sharpening, color enhancement, and other editing techniques.

Beautifully illustrated with large, vibrant photos, this book offers the practical advice and expert shooting tips you need to get the food images you want every time you pick up your camera.

  • Sales Rank: #67903 in Books
  • Published on: 2015-08-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .70" w x 7.50" l, .0 pounds
  • Binding: Paperback
  • 272 pages

From the Author
In 2010, I wrote the first edition of this book. At the time, there were only a handful of books about food photography, and I wanted to make an easy-to-understand guide for users of all levels. And just last year, I felt that it was time to complement the first book with a new edition. My style as a food photographer has evolved, and because of that, so has this book.I also wanted to make sure that anyone who has read the first edition will still be able to buy this book and feel that their purchase was worth it! Here are some things that you will discover with this book in comparison with the last one:

  • Brand-new photos: I updated nearly ALL of the images in the book. There are a handful of photos (mostly technical photos) that are the same, but I made a concerted effort to use brand-new images.
  • Condensed basic photography chapters: I had some comments in the reviews about there being "too much" information on basic photography. Because of this, I condensed the first three chapters into only two chapters; Chapter 1 is now a combination of two chapters with similar material (basic photography).
  • Updated info on Lighting and Food Styling: Chapter 2 (lighting) was updated to add more information on different angles of light, and Chapter 3 (food and prop styling) was edited to reflect my updated food-styling style.
  • A Brand New Chapter: Chapter 5 is a brand-new chapter on social media, copyright, watermarking, website, etc (getting your presence online).
  • Updated post-processing chapter: Chapter 6 (post-processing) is completely re-written with Lightroom as the software (my other book has Photoshop for the tutorials).
  • Brand-new behind-the-scenes: Chapter 7 (Behind the Scenes) is all brand-new examples.

About the Author

Nicole S. Young is a full-time photographer specializing in food and landscape photography, and she also licenses her images through iStockphoto and Getty Images. Nicole is an accredited Adobe Certified Expert (ACE) in Photoshop, owns and operates the Nicolesy Store, and is a regular contributor to the National Association of Photoshop Professionals and Photofocus websites. The author of several books, including Plug In with onOne Software and the first edition of Food Photography: From Snapshots to Great Shots, Nicole blogs at nicolesy.com. She lives in Portland, OR.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Excellent book for learning about fundamentals of food photography
By A. Buttolph
This excellent book, written for beginner and intermediate photographers, provides a solid foundation for food photography techniques. The book is well organized and has an informative and friendly tone. The first chapter covers basic information on equipment and relationship between exposure settings (shutter speed, aperture, and ISO). Chapters 2 through 4 discuss techniques, equipment, and props for food photography. Chapter 5 discusses aspects of social media and web presence, including ways to reduce the possibility of image theft. Chapter 6 covers a selection of elements of the processing software Adobe Lightroom that can be applied for organizing, developing, and exporting images. Chapter 7, titled “Behind the Scenes,” takes the reader through a photo shoot from start to finish, which uses the cumulative information of prior chapters. Chapters 1 through 6 end with challenges that the reader can work on to gain experience with the material covered.
Throughout the book, the author makes liberal use of photographs and graphics to illustrate points contained in the text. The images are excellent examples for the text and get the points across that the author is trying to make. In addition, information on the camera, lens, and exposure settings for each photograph are provided.
Lighting is covered in Chapter 2 and I found this to be a very interesting chapter describing types of light, light direction, light quality, and light modifiers and accessories. As elsewhere throughout the book, the author does an excellent job of showing how scenes were set up as well as the resulting images. She also provides numerous photo examples of effects of different lighting, which aids the reader greatly in being able to see the results of various lighting options.
Chapter 3 covers styling and props. Among the broad array of topics related to styling and props included in this chapter, the author puts a concerted effort into providing information that will help in the food looking its best. She provides numerous tips to assist the photographer in quality of presentation. Information ranges along a large spectrum from the freshness of the food to selection of textiles and food styling, with many other topics included.
Framing and composition are covered in Chapter 4. This informative chapter provides key elements for setting up the composition, perspective, grouping, framing, choosing focal length, and setting aperture to obtain the best depth of field for the shot. I really found the discussions and photos that describe lens compression and depth of field to be both informative and effective. A set of images is provided that illustrate lens compression for focal lengths ranging from 28 to 200mm. This set of images, for me, was one of the most powerful in the book. A similar set of photos is provided to illustrate changes in depth of field.
In Chapter 5, the author provides valuable information on setting up a portfolio and web presence, as well as other actions that the photographer can take to get established and known. The chapter also has a section on protecting your images from theft, to the extent that you can (no method is perfect), including registering copyrighted images and adding watermarks.
Chapter 6 provides basics on selected components of Adobe Lightroom. This chapter is not meant to be an exhaustive Lightroom manual, but gives sufficient information for people who are new to Lightroom to get started using the Library and Develop Modules. Information on exporting files is also included.
Chapter 7 takes the reader through the process of creating four images. This chapter puts material from the prior chapters into practice in an organized manner.
In summary, this book is an excellent choice for someone interested in food photography. The writing is clear, information is thorough, and the book is well organized. Images to supplement the text are numerous, but not superfluous, and hit the mark on their function of illustrating components of the text. I would highly recommend this book.
Full disclosure: I was provided with a copy of this book in exchange for an honest and unbiased review.

3 of 3 people found the following review helpful.
A great book giving great advice
By Russ
The Food Photography book deals with how to photograph food. This book does not assume that you are a pro photographer, and caters for people who have different levels of photography experience. Having said that it is not a book that is light on the experience it imparts, and any photographer regardless of experience who is wanting to learn the skills of photographing food can learn a lot.

The book deals with the fundamentals that every food photographer should know about, and talks about subjects such as obtaining the best lighting, how to use props and style a shot. The composition of the shots, through to the use of social media, (which is now becoming a huge area for photography, and getting your shots noticed!) is also dealt with as is post processing of your digital shots. The post-processing section is done using Adobe Lightroom, which is something that I am both used to and use, so I am comfortable with this but if you don't have Adobe Lightroom, these techniques can be transferred if you use other post processing software.

Having read and gone through the Adobe Lightroom chapter, I found it to be comprehensive enough to ensure you have the knowledge and skills required to process your shots without having to refer to the heavier books on Adobe Lightroom. You may after going through the chapter find that you want to learn more about Adobe Lightroom, and after reading the chapter you will already have the skills and language needed to delve into these books about Adobe Lightroom, but I would say that the skills you learn will be more than adequate.

The best thing I have found about this book is an image is featured, and the techniques used are explored so that you can reproduce the shot. The equipment used is not out of the reach of the normal photographer and shows the differences using a compact camera against a DLSR gives, and how little techniques such as lighting, and props can be incorporated into your images that although subtle, give a huge difference to the finished shot.

The author Nicole S Young is a photographer who specialises in food photography (among other things) and the experience she imparts in this book, is second to none. They are the same techniques she uses in her everyday life, and she talks about how to photograph food in differing scenarios from restaurants, to the more styled scenes that she uses within her blog and website.

If you need a book to give you a good grounding in food photography then this is the book for you, it will talk you through the techniques to use, and illustrate these techniques so that you can follow them easily. You will pick up some great techniques, and by looking at the images produced you will find a lot of inspiration to your photography.

The techniques talked about are also applicable to other areas of close up photography and as such I have found the book invaluable in giving me some extra tricks that I can employ in my photography. I found the chapters concise and well written, and although I read through the book in order, I find myself referring to different chapters in an ad-hoc way to refresh myself. I am also referring to the book for inspiration to my close up photography work by looking how a particular shot is lit, and to gain inspiration on how to style and prop particular shots.

This book has got me coming back to again and again, and anyone who wants to learn and progress their food photography should have a copy.

2 of 2 people found the following review helpful.
Beautiful, great tips, and perfect for a minimalist photographer that wants great results.
By lovinlife
I absolutely loved this book. As an architectural photographer, I needed to transition my skills into food photography. This book was perfect. It emphasizes it's instruction on the 20% of effort that gets 80% of the results. There's not too much emphasis on photography basics that are not necessary for most photographers. It helps people that don't need to spend money on equipment that gives them diminishing returns on the final result in the quality of the photo. There are a lot of good pictures and diagrams to help demonstrate her setups. It is a huge improvement over the 1st edition, even though I loved the 1st edition as well. The author comes across as humble and passionate. I love that.

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Senin, 20 Juni 2011

[L196.Ebook] PDF Download Gregg College keyboarding & Document Processing,11th edition (Lesson 1- 120), by Scot Ober

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Gregg College keyboarding & Document Processing,11th edition (Lesson 1- 120), by Scot Ober

Gregg College keyboarding & Document Processing,11th edition (Lesson 1- 120), by Scot Ober



Gregg College keyboarding & Document Processing,11th edition (Lesson 1- 120), by Scot Ober

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Gregg College keyboarding & Document Processing,11th edition (Lesson 1- 120), by Scot Ober

Gregg College Keyboarding and Document Processing (GDP), 11e by Ober, Johnson, and Zimmerly: Your complete learning/teaching system. Your guide to success. GDP/11 is an integrated keyboarding system designed to process and score documents created in Microsoft Word. Together, the book and software systematically lead students through each lesson to provide an easy path to success. As a solid product for over 50 years, this version of the GDP software has grown into an online functionality. The same program is now web-based with seamless updates to provide greater accessibility for use at home, in class, and in labs - perfect for distance learning! Strong enhancements to the book while maintaining key elements including integrated language arts (starting at lesson 21) support the cohesive program's strong content. Skillbuilding is reinforced with MAP+ (Misstroke Analysis and Prescription). MAP+ is an individualized, diagnostic tool that is built into the software to help identify student's strengths and weaknesses while providing prescriptive drills to help them practice where they need it most. Also, MAP+ now has new, unlimited drill lines that begin at Lesson 1. Additionally, GDP/11 automatically scores for keyboarding errors and now formatting errors too! As a result, instructors will appreciate the customization of course management tools in GDP/11, including the new GPS (Grade Posting System) which allows complete flexibility in setting up grades. GDP/11 your complete learning/teaching system. Your guide to success.

  • Sales Rank: #916603 in Books
  • Published on: 2010-05-18
  • Format: Box set
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.80" h x 2.20" w x 10.00" l, 4.76 pounds
  • Binding: Spiral-bound
  • 500 pages

About the Author
Scot Ober (Ph.D, Ohio State) is a full-time consultant in business communication and document processing. Prior to his consulting career, Dr. Ober was Professor of Business at Ball State University. In addition to having taught Business Communication for over twenty years, he served as Editor of the Business Communication Quarterly for 1995 and 1996 and conducted an MBA-level Distance Learning Program through Ball State University.

Johnson is Director of Business Education Department of Business Management and Business Systems West Georgia College, Carrollton, GA.

Most helpful customer reviews

10 of 10 people found the following review helpful.
Hmmm....
By student41791
The kit was fine, except for the fact that I bought it used, thus was left without an access code and the easel. Just double check what you're getting before you commit to the purchase.

2 of 3 people found the following review helpful.
like new
By Linda H
It was like new and I needed it for college. Just what I expected. It is a good college typing book.

0 of 0 people found the following review helpful.
Three Stars
By Ashley
the books are in excellent condition, but it did not come the easel like it had stated.

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Minggu, 19 Juni 2011

[S375.Ebook] PDF Ebook The Insanity Defense: The Complete Prose, by Woody Allen

PDF Ebook The Insanity Defense: The Complete Prose, by Woody Allen

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The Insanity Defense: The Complete Prose, by Woody Allen

The Insanity Defense: The Complete Prose, by Woody Allen



The Insanity Defense: The Complete Prose, by Woody Allen

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The Insanity Defense: The Complete Prose, by Woody Allen

Comprising the classic bestsellers Getting Even, Without Feathers, and Side Effects, this definitive collection of comic writings is from a man who needs no Introduction. Really–this book has no Introduction.

The Insanity Defense reveals many sides of Woody Allen as he holds forth on the most human of urges (“Why does man kill? He kills for food. And not only for food: frequently there must be a beverage”); reflects on death (“I don’t believe in an afterlife, although I am bringing a change of underwear”); and notes the effect on history wrought by trick chewing gum, the dribble glass, and other novelties. There is also an inspiring story of the futile race to beat Dr. Heimlich to the punch: “The food went down the wrong pipe, and choking occurred. Grasping the mouse firmly by the tail, I snapped it like a small whip, and the morsel of cheese came loose. If we can transfer the procedure to humans, we may have something. Too early to tell.”

All Woody Allen fans will cherish this uproarious treasury–and those who don’t enjoy The Insanity Defense are just plain crazy.

“If you don’t care if you break into helpless whoops of laughter on buses, trains, or wherever you happen to be reading it.”
–Chicago Tribune, on Without Feathers

“Brilliant flights of fancy whose comic detail and inspired silliness are at once dramatic and controlled.”
–The New York Times, on Side Effects

  • Sales Rank: #233691 in Books
  • Published on: 2007-06-12
  • Released on: 2007-06-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .70" w x 5.20" l, .57 pounds
  • Binding: Paperback
  • 352 pages

From Booklist
Published simultaneously with Mere Anarchy (2007), these 40-plus previously published humorous sketches poke fun at Allen's classic targets: New York intellectuals, death, and Mr. Big—he's God, of course. Projecting personas is Allen's main technique across these stories, many of which contain allusions to the 1970s, when most of them were written. You want Studs Terkel? Allen satirizes his Hard Times in "Fine Times." How about Nazi memoirists? Allen gives you the recollections of Hitler's barber. Latin American revolutionaries were on the march, if somewhat ineffectually, in "Viva Vargas!" And if one's laughs come from satirizing such literary forms as the eulogy, commencement speech, or college course catalog, Allen is your parodist as well. Including mockery of collected works via a faux review of the collected laundry lists of the unjustifiably obscure Metterling, Allen perhaps barbs his own volume, which is the third time many of these pieces have seen publication. Nevertheless, it's a treasury of risibility for the Allen audience. Taylor, Gilbert
Copyright © American Library Association. All rights reserved

Excerpt. © Reprinted by permission. All rights reserved.
The Metterling Lists

Venal & Sons has at last published the long-awaited first volume of Metterling’s laundry lists (The Collected Laundry Lists of Hans Metterling, Vol. I, 437 pp., plus xxxii-page introduction; indexed; $18.75), with an erudite commentary by the noted Metterling scholar Gunther Eisenbud. The decision to publish this work separately, before the completion of the immense four-volume oeuvre, is both welcome and intelligent, for this obdurate and sparkling book will instantly lay to rest the unpleasant rumors that Venal & Sons, having reaped rich rewards from the Metterling novels, play, and notebooks, diaries, and letters, was merely in search of continued profits from the same lode. How wrong the whisperers have been! Indeed, the very first Metterling laundry list

List No. 1

6 prs. shorts

4 undershirts

6 prs. blue socks

4 blue shirts

2 white shirts

6 handkerchiefs

No starch

serves as a perfect, near-total introduction to this troubled genius, known to his contemporaries as the “Prague Weirdo.” The list was dashed off while Metterling was writing Confessions of a Monstrous Cheese, that work of stunning philosophi- cal import in which he proved not only that Kant was wrong about the universe but that he never picked up a check. Metterling’s dislike of starch is typical of the period, and when this particular bundle came back too stiff Metterling became moody and depressed. His landlady, Frau Weiser, reported to friends that “Herr Metterling keeps to his room for days, weeping over the fact that they have starched his shorts.” Of course, Breuer has already pointed out the relation between stiff underwear and Metterling’s constant feeling that he was being whispered about by men with jowls (Metterling: Paranoid-Depressive Psychosis and the Early Lists, Zeiss Press). This theme of a failure to follow instructions appears in Metterling’s only play, Asthma, when Needleman brings the cursed tennis ball to Valhalla by mistake.

The obvious enigma of the second list

List No. 2

7 prs. shorts

5 undershirts

7 prs. black socks

6 blue shirts

6 handkerchiefs

No Starch

is the seven pairs of black socks, since it has been long known that Metterling was deeply fond of blue. Indeed, for years the mention of any other color would send him into a rage, and he once pushed Rilke down into some honey because the poet said he preferred brown-eyed women. According to Anna Freud (“Metterling’s Socks as an Expression of the Phallic Mother,” Journal of Psychoanalysis, Nov., 1935), his sudden shift to the more sombre legwear is related to his unhappiness over the “Bayreuth Incident.” It was there, during the first act of Tristan, that he sneezed, blowing the toupee off one of the opera’s wealthiest patrons. The audience became convulsed, but Wagner defended him with his now classic remark “Everybody sneezes.” At this, Cosima Wagner burst into tears and accused Metterling of sabotaging her husband’s work.

That Metterling had designs on Cosima Wagner is undoubtedly true, and we know he took her hand once in Leipzig and again, four years later, in the Ruhr Valley. In Danzig, he referred to her tibia obliquely during a rainstorm, and she thought it best not to see him again. Returning to his home in a state of exhaustion, Metterling wrote Thoughts of a Chicken, and dedicated the original manuscript to the Wagners. When they used it to prop up the short leg of a kitchen table, Metterling became sullen and switched to dark socks. His housekeeper pleaded with him to retain his beloved blue or at least to try brown, but Metterling cursed her, saying, “Slut! And why not Ar- gyles, eh?”

In the third list

List No. 3

6 handkerchiefs

5 undershirts

8 prs. socks

3 bedsheets

2 pillowcases

linens are mentioned for the first time: Metterling had a great fondness for linens, particularly pillowcases, which he and his sister, as children, used to put over their heads while playing ghosts, until one day he fell into a rock quarry. Metterling liked to sleep on fresh linen, and so do his fictional creations. Horst Wasserman, the impotent locksmith in Filet of Herring, kills for a change of sheets, and Jenny, in The Shepherd’s Finger, is willing to go to bed with Klineman (whom she hates for rubbing butter on her mother) “if it means lying between soft sheets.” It is a tragedy that the laundry never did the linens to Metterling’s satisfaction, but to contend, as Pfaltz has done, that his consternation over it prevented him from finishing Whither Thou Goest, Cretin is absurd. Metterling enjoyed the luxury of sending his sheets out, but he was not dependent on it.



What prevented Metterling from finishing his long-planned book of poetry was an abortive romance, which figures in the “Famous Fourth” list:

List No. 4

7 prs. shorts

6 handkerchiefs

6 undershirts

7 prs. black socks

No Starch

Special One-Day Service

In 1884, Metterling met Lou Andreas-Salomé, and suddenly, we learn, he required that his laundry be done fresh daily. Actually, the two were introduced by Nietzsche, who told Lou that Metterling was either a genius or an idiot and to see if she could guess which. At that time, the special one-day service was becoming quite popular on the Continent, particularly with intellectuals, and the innovation was welcomed by Metterling. For one thing, it was prompt, and Metterling loved promptness. He was always showing up for appointments early—sometimes several days early, so that he would have to be put up in a guest room. Lou also loved fresh shipments of laundry every day. She was like a little child in her joy, often taking Metterling for walks in the woods and there unwrapping the latest bundle. She loved his undershirts and handkerchiefs, but most of all she worshipped his shorts. She wrote Nietzsche that Metterling’s shorts were the most sublime thing she had ever encountered, including Thus Spake Zarathustra. Nietzsche acted like a gentleman about it, but he was always jealous of Metterling’s underwear and told close friends he found it “Hegelian in the extreme.” Lou Salomé and Metterling parted company after the Great Treacle Famine of 1886, and while Metterling forgave Lou, she always said of him that “his mind had hospital corners.”

The fifth list

List No. 5

6 undershirts

6 shorts

6 handkerchiefs

has always puzzled scholars, principally because of the total absence of socks. (Indeed, Thomas Mann, writing years later, became so engrossed with the problem he wrote an entire play about it, The Hosiery of Moses, which he accidentally dropped down a grating.) Why did this literary giant suddenly strike socks from his weekly list? Not, as some scholars say, as a sign of his oncoming madness, although Metterling had by now adopted certain odd behavior traits. For one thing, he believed that he was either being followed or was following somebody. He told close friends of a government plot to steal his chin, and once, on holiday in Jena, he could not say anything but the word “eggplant” for four straight days. Still, these seizures were sporadic and do not account for the missing socks. Nor does his emulation of Kafka, who for a brief period of his life stopped wearing socks, out of guilt. But Eisenbud assures us that Metterling continued to wear socks. He merely stopped sending them to the laundry! And why? Because at this time in his life he acquired a new housekeeper, Frau Milner, who consented to do his socks by hand—a gesture that so moved Metterling that he left the woman his entire fortune, which consisted of a black hat and some tobacco. She also appears as Hilda in his comic allegory, Mother Brandt’s Ichor.

Obviously, Metterling’s personality had begun to fragment by 1894, if we can deduce anything from the sixth list:

List No. 6

25 handkerchiefs

1 undershirt

5 shorts

1 sock

and it is not surprising to learn that it was at this time he entered analysis with Freud. He had met Freud years before in Vienna, when they both attended a production of Oedipus, from which Freud had to be carried out in a cold sweat. Their sessions were stormy, if we are to believe Freud’s notes, and Metterling was hostile. He once threatened to starch Freud’s beard and often said he reminded him of his laundryman. Gradually, Metterling’s unusual relationship with his father came out. (Students of Metterling are already familiar with his father, a petty official who would frequently ridicule Metterling by comparing him to a wurst.) Freud writes of a key dream Metterling described to him:

I am at a dinner party with some friends when suddenly a man walks in with a bowl of soup on a leash. He accuses my underwear of treason, and when a lady defends me her forehead falls off. I find this amusing in the dream, and laugh. Soon everyone is laughing except my laundryman, who seems stern and sits there putting porridge in his ears. My father enters, grabs the lady’s forehead, and runs away with it. He races to a public square, yelling, “At last! At last! A forehead of my own! Now I won’t have to rely on that stupid son of mine.” This depresses me in the dream, and I am seized with an urge to kiss the Burgomaster’s laundry. (Here the patient weeps and forgets the remainder of the dream.)

With insights gained from this dream, Freud was able to help Metterling, and the two became quite friendly outside of analysis, although Freud would never let Metterling get behind him.

In Volume II, it has been announced, Eisenbud will take up Lists 7–25, including the years of Metterling’s “private laundress” and the pathetic misunderstanding with the Chinese on the corner.

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82 of 90 people found the following review helpful.
Don't buy this book, obtain the originals instead
By Cyril A. Barnert
I had already read Woody Allen's three previous books of essays ("Getting Even", "Without Feathers", and "Side Effects") and found them hilarious. But there is a serious problem in the subtitle of this book "The Complete Prose", even if the implication is meant to be that it is complete IF TAKEN TOGETHER WITH Woody's other 2007 publication, "Mere Anarchy". Despite its subtitle, "Insanity Defense" is NOT A COMPLETE COMPILATION OF THE FIRST THREE BOOKS, including only 46 of the 51 essays. The missing five (which are also not in "Mere Anarchy") are worthwhile and funny. Don't get me wrong--the 46 essays that are included are very good, but it does rankle me that they misleadingly claimed completeness. I recommend skipping "Insanity Defense" and obtaining the three original volumes via used-book sources, to go along with "Mere Anarchy".

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Five Stars
By joann fynke
Good read!

8 of 9 people found the following review helpful.
Absolutely Brilliant
By New Hasselhoff
I first read the three collections compiled herein about 20 years ago. Then, as now, I found myself sputtering with convulsive laughter as I made my way through. I literally was afraid to read it around other people because I could not control my reaction. I've read a number of works of humor. Nothing has made me laugh out loud like this. The elegance of his language and the beautiful and profound absurdity is unparalleled. Pure gold.

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Advanced UNIX Programming (2nd Edition), by Marc J. Rochkind

  • Published on: 2004
  • Binding: Paperback

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Practical Spectroscopy: The Rapid Interpretation of Spectral Data for McMurry's Organic Chemistry, 5th Edition, by Paul R. Young

Based on the spectroscopy modules in Organic Chemistry Online 2.0 CD-ROM, this workbook contains proton and carbon NMR, infrared, and mass spectra for 100 organic molecules along with expanded tutorial sections to aid undergraduate students in analysis.

  • Sales Rank: #793037 in Books
  • Brand: Brand: Cengage Learning
  • Published on: 2000-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .40" h x 8.40" w x 10.70" l, .80 pounds
  • Binding: Paperback
  • 158 pages
Features
  • Used Book in Good Condition

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1 of 3 people found the following review helpful.
Book never arrived
By O. Truong
I waited for 24 days and the book never arrived. I am assuming it got lost on route. I emailed the seller for a refund and he kindly refunded my money. Overall, the responses to my emails for timely. The book never arrived so it was a most unfortunate experience, since I needed that book for school.

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Exactly what I needed
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The only problem I had with this book was someone had written in the answers to the practice problems, so I will have to go through and erase them to get good practice. Otherwise, it's in great condition and was just what I was looking for on recommendation from my professor.

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good
By Liz Chu
the book was in good condition. a few words were written in but that was explained in the description. satisfied

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